Track 1:
The stands are having an impact on the sound of the music as the stands are vibrating the sound around which causes a slight echo. This could be due to the walls being higher up than the source of the sound causing reverberation along the solid walls. Also, the material of the stands (concrete) makes the reverb stronger than a soft material. On the other hand, the floor below the marching band is soil - this could absorb some of the sound. However, the stairs could stop the reverberation which would ultimately cut up the echo. However, considering the fact that the music is from a marching band - the delay in sound cannot be heard much as there are a lot of textures in the piece. Also, there are a lot of people in the stands so this could affect the velocity of the instruments as people can absorb the sound waves.
Marching bands have a lot of loud instruments because they perform outside in the open - therefore there are no reverberations around that could echo or emphasise the sound. Therefore, they need loud instruments that can be heard clearly outside.
This music is suitable for the acoustic environment as the the stadium - although having stands - is still very open and spacious. Therefore, the marching band is not too loud nor too quiet.
Marching bands have a lot of loud instruments because they perform outside in the open - therefore there are no reverberations around that could echo or emphasise the sound. Therefore, they need loud instruments that can be heard clearly outside.
This music is suitable for the acoustic environment as the the stadium - although having stands - is still very open and spacious. Therefore, the marching band is not too loud nor too quiet.
Track 2:
I can hear slight reverb in the main vocals. I believe that it could be digital or the room. The fact that there is no filter on the microphone could suggest that mic is picking up the reverb from around the room. However, since reverb cannot be heard so easily on the two guitars which seem to be using a similar mic - it could be digitally added to the vocals in order to strengthen them. However, it could be that the other microphones are picking up the vocals slightly later.
The guitars have been recorded on a different microphone.
The texture of the music isn't very thick but it isn't thin either. The acoustic environment it has been recorded in suits the music as it is big and doesn't have much in it. Also, since the main instruments are guitars they don't need much reverberation as they have their own acoustic hole in the body of them. Also, the keyboard is electric and has been set to a more atmospheric piano sound.
Track 3: The beginning has quite a thick texture as there are different as there are 4 sections of the choir singing in at different times. At 0:25 the present of delay is clear. Also, at 0:55 the delay of the soprano singers lasts for almost 3 seconds. At 1:00 the texture becomes very thin and reverb can be heard more obviously in both the male and female voices up until 1:25. At 1:34 more singers enter again - adding vocal ostinatos. The soprano singer, at 1:55, has a dynamic range that causes an echo that last for 4 seconds. At 3:09 when the texture of the piece further develops - the acoustics of the environment make the bass singers voices sound more bass than a voice. The texture of the piece constantly changing gives the piece more dynamic range. This music is suitable foe the space as their are a lot of tones and the acoustics helps separate them and allow them all to be heard. In effect the acoustics, in my opinion, mix the piece very well. You can hear the atmosphere of the room which creates of sort of dither in the recording which helps pick up the bass singers voices.
The guitars have been recorded on a different microphone.
The texture of the music isn't very thick but it isn't thin either. The acoustic environment it has been recorded in suits the music as it is big and doesn't have much in it. Also, since the main instruments are guitars they don't need much reverberation as they have their own acoustic hole in the body of them. Also, the keyboard is electric and has been set to a more atmospheric piano sound.
Track 3: The beginning has quite a thick texture as there are different as there are 4 sections of the choir singing in at different times. At 0:25 the present of delay is clear. Also, at 0:55 the delay of the soprano singers lasts for almost 3 seconds. At 1:00 the texture becomes very thin and reverb can be heard more obviously in both the male and female voices up until 1:25. At 1:34 more singers enter again - adding vocal ostinatos. The soprano singer, at 1:55, has a dynamic range that causes an echo that last for 4 seconds. At 3:09 when the texture of the piece further develops - the acoustics of the environment make the bass singers voices sound more bass than a voice. The texture of the piece constantly changing gives the piece more dynamic range. This music is suitable foe the space as their are a lot of tones and the acoustics helps separate them and allow them all to be heard. In effect the acoustics, in my opinion, mix the piece very well. You can hear the atmosphere of the room which creates of sort of dither in the recording which helps pick up the bass singers voices.